– ‘The Magic of Wor(l)ds’ blog is a hobby, reviews and other bookish stuff on this site are done for free. –
Today I’m on the ‘Playing The Duke’s Fiancee’ blogtour, organized by Rachel’s Random Resources.
To promote this book I have a guest post, but before I let you read it first some ‘basic’ information.
About the Author :
Amanda wrote her first romance at the age of sixteen–a vast historical epic starring all her friends as the characters, written secretly during algebra class (and her parents wondered why math was not her strongest subject…)
She’s never since used algebra, but her books have been nominated for many awards, including the RITA Award, the Romantic Times BOOKReviews Reviewers’ Choice Award, the Booksellers Best, the National Readers Choice Award, and the Holt Medallion. She lives in Santa Fe with a Poodle, a cat, a wonderful husband, and a very and far too many books and royal memorabilia collections.
When not writing or reading, she loves taking dance classes, collecting cheesy travel souvenirs, and watching the Food Network–even though she doesn’t cook.
Amanda also writes as Laurel McKee for Grand Central Publishing, the Elizabethan Mystery Series as Amanda Carmack, and the Manor Cat Mystery Series as Eliza Casey.
A pretend proposal
For the unconventional heiress
When American heiress Violet Wilkins crosses paths with William, Duke of Charteris, she has extremely low expectations of the “Duke of Bore.” But when this seemingly stuffy aristocrat offers her escape from a dreadful arranged marriage, she leaps at the chance! To her surprise, the arresting Charles whisks Vi into an exhilarating make-believe romance. And as she gets to know the man behind the title, she can’t help wanting more…
Guest Post :
One of the fun things I researched for His Unlikely Duchess (and for “The Dollar Duchesses” series in general!) was the process of being an “official” debutante at the royal court of the nineteenth century. It was a long process, starting with getting approved, curtsying classes, multiple visits to dressmakers, hairdressers, and florists—and making sure you didn’t embarrass yourself in front of the queen. (As Lily would certainly never do!!!)
During Victoria’s reign, the Court Drawing Rooms were held in Buckingham Palace at four stated periods every year–two before Easter and two after. Levées, hosted by the Prince of Wales for the presentation of gentlemen, were held at intervals during the like season in St. James’s Palace. Though of lessening distinction as the Victorian period wore on, the delicious prospect of being presented to the Queen or Prince of Wales continued to be a beacon to ambitious social climbers.
When the date of a drawing room was announced, letters poured into the Lord Chamberlain, suggesting names of ladies for presentation. Everyone who had kissed the Queen’s hand was able to nominate another for presentation. But it wasn’t guaranteed that any name submitted was accepted. The list underwent careful scrutiny by both the Lord Chamberlain and the Queen, Her Majesty only receiving those who “wore the white flower of a blameless life.”
There were only three qualifications for admittance to the throne room:
1.The lady wishing to be presented should be of good moral and social character.
2.Presentation had to be made by someone who had already been presented.
3.The status of the actual presentee. The most obvious candidates, the wives and daughters of the aristocracy, had the privilege of being kissed by Queen Victoria (though no kisses were received if the Princess of Wales were acting as stand-in, and the practice was dropped entirely in the Edwardian era), then came the ranks of those candidates whose presentation would be sealed by the action of kissing the Queen’s hand. These included the daughters and wives of the country gentry and Town gentry, of the clergy, of naval and military officers, of professional men such as physicians and barristers, of merchants, bankers and members of the Stock Exchange, and “persons engaged in commerce on a large scale.”Summonses were sent out three weeks in advance, allowing ample time for the excited debutante or newly married lady, to practice the complicated court curtsy and order the regulated costume demanded for presentation, as laid out, via the Lord Chamberlain’s Office, in Lady Colin Campbell’s Manners and Rules of Good Society, 1911 edition:
Full Court Dress: low bodice, short sleeves, and train to dress not less than three yards in length from the shoulders. Whether the train is cut round or square is a matter of inclination or fashion. The width at the end should be 54 inches. It is also imperative that a presentation dress should be white if the person presented be an unmarried lady and it is also the fashion for married ladies to wear white on their presentation unless their age rendered their doing so unsuitable The white dresses worn by either debutante or married ladies may be trimmed with either colored or white flowers according to individual taste.
High Court Dress: dress of silk satin or velvet may be worn at Their Majesties Courts and on other State occasions by ladies to whom from illness infirmity or advancing age the present low Court dress is inappropriate. Bodices in front cut square or heart shaped which may be filled in with white only either transparent or lined at the back high or cut down three quarters height. Sleeves to elbow either thick or transparent. Trains, gloves, and feathers as usual. It is necessary for ladies who wish to appear in High Court Dress to obtain Royal permission through the Lord Chamberlain. This regulation does not apply to ladies who have already received permission to wear high dress.
White gloves only should be worn excepting in case of mourning when black or grey gloves are admissible. As a lady on presentation does not now kiss the Queen’s hand as formerly she did she is not required to remove the right hand glove before entering the Presence Chamber. This order therefore is no longer in force and a lady wearing elbow gloves and bracelets will find it a great convenience not to be to take off her glove.
It was compulsory for both Married and Unmarried Ladies to Wear Plumes. The married lady’s Court plume consisted of three white feathers. An unmarried lady’s of two white feathers. The three white feathers should be mounted as a Prince of Wales plume and worn towards the left hand side of the head. Colored feathers may not be worn. In deep mourning, white feathers must be worn, black feathers are inadmissible.
White veils or lace lappets must be worn with the feathers. The veils should not be longer than 45 inches.
Bouquets are not included in the dress regulations issued by the Lord Chamberlain although they are invariably carried by both married and unmarried ladies. It is thus optional to carry a bouquet or not, and some elderly ladies carry much smaller bouquets than do younger ladies. A fan and a lace pocket handkerchief are also carried by a lady on presentation or on attending a Court but these two items are also altogether optional.
Armed with the proper arsenal, the young lady or new wife was ready to take London by storm. Queen Victoria held her presentations in the afternoon at 3 o’clock, which caused a traffic snarl of monumental proportions. It was common for the débutante to queue up in her carriage for hours down The Mall towards Buckingham Palace, boxed in on both sides by other equipages and the throng of curious onlookers. Then, once she alighted from her carriage, there was another long wait in the close, sweltering palace antechambers, where neither refreshments nor relief were available.
The young lady who persevered to the end, however, got her rewards. Carrying her train over her left arm, she made her way through the groups of attendants to the anteroom or corridor where one of the lords-in-waiting, with his wand, spread out her train she’d let down, and walked forward to the Throne Room.
Her name was announced as she curtsied before the Queen, so low as to almost kneel, and while doing such, she kissed the royal hand extended to her, underneath which she placed her own ungloved right hand. The peeress or daughter of a peer received a kiss from Queen Victoria. When the Princess of Wales stood in for Her Majesty, the lady being presented curtsied only and did not kiss the Princess’s hand. After passing Her Majesty, the débutante curtsied to any of the Princesses near her and retired backwards in what may be called a succession of curtsies until she reached the threshold of the doorway. The official in attendance replaced her train upon her arm and the presentation was complete!
As was stated above, the reception of a kiss on the cheek from the Queen or the gift of one upon her hand was tossed out when Edward VII came to the throne. Other, more important changes were made to the presentation ceremony. Things were sped up by his reign, the drawing rooms and levees switched to the evening and held in June; the telephone used to summon a débutante’s transport, thus easing the traffic; buffet supper, served from tables laid with gold plate helped to revive waiting ladies; and the court photographers were allotted a room for speedy snapshots of the women.
Levées were conducted somewhat on the same plan as that of the Drawing room but were confined exclusively to men who wear uniform or Court dress. Hosted by the Prince of Wales, later the King, those entitled to be presented to H.R.H./H.M. were members of the aristocracy and gentry, the members of the diplomatic courts, the Cabinet and all leading Government officials, Members of Parliament, leading members of the legal profession, the naval and military professions, the leading members of the clerical profession, the leading members of the medical and artistic professions, the leading bankers merchants and members of the Stock Exchange, and persons engaged in commerce on a large scale. An exception to the rule as regards retail trade was made in favor of any person receiving Knighthood ,or when holding the office of Mayor, or being made a Justice of the Peace, or on receiving a Commission in the Territorial forces.
The workings of the levee were similar to those of the drawing rooms: dates announced and names submitted, and specific court dress required:
The Dress to be worn at Courts State Functions and Levees: Full dress uniform is invariably worn by all gentlemen entitled to wear it. All officers Scottish kilted corps should wear the kilt irrespective their being mounted officers or not. Gentlemen who do not wear uniform may wear either velvet Court dress new style; velvet Court dress old style; cloth Court dress.
The new style velvet Court dress is of black silk velvet. The body of the coat lined with white silk and the skirt with black silk. Steel buttons. Waistcoat of white satin or black silk velvet. Breeches of black silk velvet, black silk hose, patent leather shoes, steel buckled, white bow necktie, white gloves, sword, black beaver or silk cocked hat.
The velvet Court dress old style is very similar to the foregoing with the addition of a black silk wig bag at the back of the neck and lace frills and ruffles.
The cloth Court dress consists of a coat of dark mulberry claret or green cloth with black silk linings, gold embroidery on collar, cuffs, and pocket flaps, gilt buttons with Imperial Crown, waistcoat of white corded silk or white Marcella, breeches of cloth color of coat, black silk hose, patent leather shoes, sword, white bow necktie, white gloves, black beaver or silk cocked hat.
On certain days of the year, the so-called Collar days, high diplomatic and distinguished personages wear the collars and badges of the Garter, Thistle, St Patrick, Bath, and other Orders of Knighthood.
The Magic of Wor(l)ds